• Liis

    Liis

  • Tim

    Tim

  • Guida

    Guida

  • Lucy

    Lucy

  • Tim — This was the second photograph in Tim Andrews' personal "Over the Hill" series.

    Tim — This was the second photograph in Tim Andrews' personal "Over the Hill" series.

  • Yasmin

    Yasmin

  • Yasmin

    Yasmin

  • Rob

    Rob

  • Mel

    Mel

  • Debrashree

    Debrashree

  • Jane

    Jane

  • Belinda

    Belinda

  • Chris

    Chris

  • Georgie

    Georgie

  • Chris

    Chris

  • Tatjana

    Tatjana

  • Angel

    Angel

  • Mel

    Mel

  • Lucille

    Lucille

  • Lisa

    Lisa

  • Yasmin

    Yasmin

  • Vicki

    Vicki

  • Simon

    Simon

  • Kirsty

    Kirsty

  • Gordon

    Gordon

  • Debrashree

    Debrashree

  • Laura

    Laura

  • Liis

    Liis

  • Guida

    Guida

  • Kirsty

    Kirsty

  • Rebecca

    Rebecca

  • Vicki

    Vicki

  • Kitty

    Kitty

  • Tanya

    Tanya

  • Edmund

    Edmund

  • Nadia

    Nadia

  • Ana

    Ana

  • Joanna

    Joanna

  • Liatt

    Liatt

Portrait

These portraits were taken over a three year period starting in 2007. All were the response to various advertisements for sitters. They actually comprise of two projects, one interior and the other more varied (mainly outdoor, but some interior poses too). I've muddled them all up for now. Perhaps I'll re-settle them into their 'correct' projects one day, but for now I like all of them enough to be enjoyed in their own right.

All the portraits here were taken using a 4x5" large format field camera. That's the type of camera where shot is composed under a dark cloth. It's a slow, exacting process that allows for much consideration of composition. As such all the images are full-frame scans from the negatives, all cropping having occurred already in-camera. The shot film was Kodak Portra 400. I'd take between ten and sixteen sheets per sitter, and the results were developed and scanned, then corrected digitally.

To a certain degree all the sitters were allowed to direct their own shoot, in terms of location, costume (or none). I would then work with each subject to select poses and positions in the setting. A 4x5" field camera is a chunky piece of kit, and it was a squeeze in some homes. But the cumbersome process was thoroughly enjoyable.

I am looking now to combine my formal portrait practice with work on the street, unencumbered with film-holders and loupes.

Street work
Shoppers